The study and application of urban trends and styles. Commonly refers to the clothing trends of urban centers. However, Street Fashion deals with all trends and styles of Hip Hop’s culture—what’s in and what’s out, regardless of the expression. Its practitioners are known as Hiphoppas.
Self-expression through Street Fashion is an important way to present Hip Hop’s unique identity to the World. Street Fashion represents the prominence of all Hip Hop cultural codes, forms and customs.
Not only is fashion a very ancient form of communication, but our expressed consciousness was (and still is) also represented in the way in which we adorned, colored and dressed ourselves.
November 14, 2016, Respect The Underground showed their contribution to the hip-hop culture by hosting their 3rd Annual Arizona Hip-Hop festival at the Comerica Theatre in Phoenix, Arizona. When I got to the downtown Phoenix area, I was not sure if I was in the right place.
I found parking about a block away and the moment I turned off the car engine, I heard the music’s Base. The sound of hip-hop was in the air from a couple of blocks away and I was excited to be there. It’s amazing how you can walk a radius of 3 blocks in some communities and the entire culture can change.
Behind the ticket gate was a live stage performance right outside with hundreds of Hiphoppas everywhere. Young and old, artists and fans mixing up at what seemed to be the hip-hop heartbeat of Phoenix Arizona.
Walking in the venues, there were music artists signing autographs, with 50 vendors from clothing designer, tattoo artist, creating designs, food trucks, and another stage with another set of local artists moving the crowd.
There was a deejays and producers section at the event were Arizona’s premier and upcoming music makers played new music and original beats. All that was just in the lobby of the Comerica Theatre.
Entering the arena, on the balcony right above the stage lined a collection of 25 local graffiti artists, visual artists, and painters.
The Stage… What a show. Every show, every stage, every artist represented to the fulliest… The emcees had Delivery, Flow and Stage Presence, each artist gave an energy filled show.
Shout out to the Hiphoppas who showed up and supported the event, the artists and the culture.
2 weekends ago I was honored with the chance to attend the Brooklyn Hip Hop Festival. Tickets were provided, so I had to make the pilgrimage to NYC to check it out.
The festival similar to the A3C Fest in ATL is celebrating it’s 10th year in operation this year.
Hosted in a vacant lot in Williamsburg, Brooklyn (right off the East River) it was a beautiful sunny day for an outside concert for sure. When I arrived Tanya Morgan joined by Spec Boogie were getting on stage. I dipped out and missed a few acts including Brand Nubian, Beatnuts, and who knows who else. Luckily I looked at the BKHHF website that morning, and noticed that Jay Electronica’s set time had been moved up to an earlier time. The post mentioned his set would be epic, and there would be special guests you didn’t want to miss.
30 minutes after his initial set time though, his DJ was still spinning his actual songs to the crowd. The host Uncle Ralph McDaniels and other staff looked like they were stalling, the sound engineer kept checking mics (as if the mics weren’t crispy already from the last performance). I started thinking to myself did this just turn into a Jay Elec listening party? Is he here? Will their be a show?
And FINALLY… Jay graced the stage flanked by a crew of brothers dressed in F.O.I (Fruit Of Islam) garb. Once he appeared, I must say he definitely gave the crowd a show.
The hour long set featured all the joints you would probably expect to hear in a Jay Elect set: “Eternal Sunshine,” “Exhibit A (Transformations)”, “Exhibit C,” etc. Special guests included Mac Miller (who straight forgot whatever verse he was supposed to be spitting) which turned into freestyle session between the two. There was also Talib Kweli, and J-Cole who seemed to appear and disappear rather quickly. The show was going great and had no one else appeared on stage with Jay, I would of been perfectly fine with that.But being the magician Jay Elect is, or course he had a trick up his sleeve and that was none other than Jay-Z himself.
Hov didn’t just pop up to rock the couple cuts he has with Jay Elect, he set it off by his rendition of “Young, Gifted, and Black,” and even gave the crowd a treat of “P.S.A.” as well as his joints with Jay Elect including the latest “We Made It.”
I took a bunch of camera phone pics, and even got some video. Then I saw all these fly pictures and HD video, and put my stuff in the archives. HA. Oh… and before you see these videos, I must mention I ran into Spike Lee who had a 40 Acres Pop Up Shop set up at the fest. I treated myself to a T-shirt and a “Do The Right Thing” behind the scenes book which Spike actually signed… Not too bad considering where we were a few years back! HA.
After this.. CJ Pro Era rocked, and Raekwon did his thing with a few brooklyn guest including AZ, Masta Killa, Troy Ave, and Papoose. But too be honest nothing quite surpassed the energy of the moment seen above.
“This year I’m releasing to you the greatest weapon I have used in business. It is called The Power of Broke and is the reason why I am in the position I am in today,” says Daymond John in a New Year message on his Facebook page. Daymond is the founder of hip hop apparel brand Fubu which has over a quarter of a billion dollars in annual revenue. The story goes that he started out selling home-sewn T-shirts in Queens, New York, and later mortgaged his home to start Fubu. Today, he’s also the co-star of ABC’s Shark Tank TV show in which entrepreneurs pitch for investment.